BIO
Polyptech is an award-winning artist, writer, and filmmaker based in Hong Kong, producing digital art on the blockchain using artificial intelligence (AI). Their video poetry, NFT art, AI Art, and generative art have been exhibited internationally, including Ars Electronica in Linz, Austria, the New Media Art Festival in Los Angeles, CADAF Digital Art Fair in Paris and New York, and international film festivals in USA, UK, Ireland, Turkey, Poland, Italy, Lithuania, Croatia, and Mexico. Their poetry has been published in 聲韻詩刊Voice & Verse Poetry Magazine and Visual Verse: An Anthology of Art and Words.
SEE MORE of Polyptech's art in the Metaverse:
https://spatial.io/rooms/622b201ad8f38a0001a1e8b0?share=9042017944225750531
BUY Polyptech's art here:
#NFT collections by Polyptech on OpenSea:
https://opensea.io/collection/mdkey-2000
https://opensea.io/0x058a87ef96f6dc3cadd51a8c86cb6372506ad20e/galleries
#Dynamic NFT Art by Polyptech on Async.art:
https://async.art/art/master/0xb6dae651468e9593e4581705a09c10a76ac1e0c8-5291
#NFT art by Polyptech on Rarible:
https://rarible.com/polyptech/sale
#NFT art by Polyptech on Mintable:
https://mintable.app/u/polyptech/current-item-list
#NFT art by Polyptech on MakersPlace:
https://makersplace.com/polyptech/
#NFT collection by Polyptech on Foundation:
https://foundation.app/collection/hve
ARTIST STATEMENT
I inhabit a liminal space where artificial intelligence, blockchain certification, and poetic inquiry converge. My practice emerges from algorithmic dialogues that coalesce into vivid digital forms. In Creatures of the Deep, bioluminescent organisms pulse with synthetic life, while Dune Flowers reveal wind-sculpted fractal petals codified by generative routines. Wonderland distorts familiar terrains into recursive dreamscapes; Spin distills the essence of rotation into kinetic light; Origami unfolds mathematical precision into organic geometry.
Isao channels the symmetry of Eastern meditations through neural-style synthesis; Quicksilver liquefies boundaries between metal and reflection; Transhuman reimagines the posthuman silhouette via layered computational narratives; and Pufferfish inflates its armor in a ballet of defense and display. Each piece is minted on the blockchain, ensuring an immutable provenance that challenges traditional notions of authorship and authenticity.
Through custom AI architectures and experimental data sets, I investigate the poetic potentials of code, exploring how emergent behaviors echo natural ecosystems and cultural mythologies. My work invites audiences to navigate these hybrid realms, questioning the relationships between observer and algorithm, materiality and simulation. Ultimately, I aim to forge new mythologies for a digitized era, where the boundaries between flesh, code, and story dissolve into generative possibility.
Applying dynamic video-poetry techniques, I synchronize visual motion with algorithmic soundscapes, enveloping viewers in temporal flows that echo the lifecycle of my digital organisms. Exhibited within gallery spaces and on virtual platforms, these works operate as living installations, inviting contemplation on the mutable definitions of art, authorship, and ecological interconnection through resonant narratives.